Site Bibliography

Allen, Felicity. Jefferson Davis, Unconquerable Heart. Columbia, MO: University of Missouri Press, 1999.

“The Alps Frozen in Time.” Geographical, December 2005, 72+.

Bain, Alison L. “Constructing Contemporary Artistic Identities in Toronto Neighbourhoods.” The Canadian Geographer 47, no. 3 (2003): 303+.

Bird, S. Elizabeth, ed. Dressing in Feathers: The Construction of the Indian in American Popular Culture. Boulder, CO: Westview Press, 1996.

Bloom, Michelle E. Waxworks:  A Cultural Obsession. Minneapolis: University of Minnesota Press, 2003.

Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism:  Introductory Readings. 6th ed. New York: Oxford University Press, 2004.

Brown, Carolyn. “Figuring the Vampire: Death, Desire, and the Image.” In The Eight Technologies of Otherness, edited by Golding, Sue, 117-133. London: Routledge, 1997.

Carroll, Noël. A Philosophy of Mass Art. Oxford: Clarendon Press, 1998.

Davey, E. R. “‘Soft Framing’: A Comparative Aesthetics of Painting and Photography.” Journal of European Studies 30, no. 2 (2000): 133.

Davey, Peter. “Photography and Ruins Might Have Been Invented for Each Other.” The Architectural Review, February 2010, 92+.

Dictionary of Canadian Biography XII (1891-1900). Toronto: University of Toronto Press, 1990

Edwards, Elizabeth and Janice Hart, eds. Photographs Objects Histories:  On the Materiality of Images. London: Routledge, 2005.

Edwards, Elizabeth. Raw Histories:  Photographs, Anthropology and Museums. Oxford, England: Berg, 2001.

Eisinger, Joel. Trace and Transformation: American Criticism of Photography in the Modernist Period. 1st ed. Albuquerque: University of New Mexico Press, 1995.

Fraser, Andrew G. The Building of Old College: Adam, Playfair & the University of Edinburgh. Edinburgh: Edinburgh University Press, 1989.

Garrett-Petts, W.F., and Donald Lawrence. “Thawing the Frozen Image/word: Vernacular Postmodern Aesthetics.” Mosaic (Winnipeg) 31, no. 1 (1998): 143+.

Gaut, Berys and Dominic McIver Lopes, eds. The Routledge Companion to Aesthetics. London: Routledge, 2001.

Greenhill, Ralph and Andrew Birrell. Canadian Photography: 1839-1920. Toronto: The Coach House Press, 1979.

Harper, Russell and Stanley G. Triggs, Portrait of a Period, Montreal, McGill University Press, 1967.

Hertz, Neil. The End of the Line: Essays on Psychoanalysis and the Sublime. New York: Columbia University Press, 1985.

History of Photography, http://www.all-art.org/history658_photography5-2.html

Hodges, James, Construction of the Great Victoria Bridge in Canada, London, John Weale, 1860.

Holly, Michael Ann. Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca, NY: Cornell University Press, 1996. d=103765904.

Hutcheon, Linda. The Politics of Postmodernism. 2nd ed. London: Routledge, 2002.

Jenks, Chris, ed. Visual Culture. New York: Routledge, 1995.

Koepnick, Lutz. Walter Benjamin and the Aesthetics of Power. Lincoln, NE: University of Nebraska Press, 1999.

Koltun, Lilly. “Not the World of William Notman — the World of William Notman: the Nineteenth Century through a Master Lens Edited by Roger Hall, Gordon Dodds and Stanley Triggs.” Journal of Canadian Studies 30, no. 1 (1995): 125+.

Laforet, Andrea, and Annie York. Spuzzum: Fraser Canyon Histories, 1808-1939. Vancouver: University of British Columbia Press, 1998.

Laidler, Keith J. To Light Such a Candle: Chapters in the History of Science and Technology. Oxford: Oxford University Press, 1998.

Long, Berel and Forrest Williams, eds. Marxism and Art: Writings in Aesthetics and Criticism. New York: David McKay, 1972.

Lower, Arthur R. M., Great Britain’s Woodyard: British America and the Timber Trade 1763-1867, Montreal, McGill-Queen’s University Press, 1973.

Mansfield, Elizabeth, ed. Art History and Its Institutions:  Foundations of a Discipline. London: Routledge, 2002.

Marion, Sara L. “Getting Beyond: Is Photography a Lost Tradition?.” Afterimage 33, no. 6 (2006): 32+.

Mattison, David. “Images of History on the Web.” Searcher, May 2002, 47+.

McCartney, Andra. “Gender, Genre and Electroacoustic Soundmaking Practices.” Intersections 26, no. 2 (2006): 20+.

Montreal Business Sketches. Montreal, Canada Railway Advertising Company, 1864.

Nadeau, Chantal. Fur Nation:  From the Beaver to Brigitte Bardot. London: Routledge, 2001.

Nickel, Douglas R. “History of Photography: the State of Research.” The Art Bulletin 83, no. 3 (2001): 548+.

Nickel, Douglas R., and Maria Morris Hambourg. The Art of Perception The Art of Perception. San Francisco, CA: San Francisco Museum of Arts, 1999.

Library Of Congress. Image of America: Early Photography, 1839-1900; a Catalog. Washington, DC: Library of Congress, 1957.

Pierce, Sally.  Review: [untitled], Reviewed work(s): The World of William Notman: The Nineteenth Century through a Master Lens by Roger Hall; Gordon Dodds; Stanley Triggs, The New England Quarterly, Vol. 67, No. 2 Jun., 1994), pp. 342-344, (review consists of 3 pages), Published by: The New England Quarterly, Inc., Stable URL: http://www.jstor.org/stable/366091

Richter, Gerhard. “Unsettling Photography: Kafka, Derrida, Moses.” CR: the New Centennial Review 7, no. 2 (2007): 155+.

Sandler, Martin W. Photography:  An Illustrated History. New York: Oxford University Press, 2002.

Savedoff, Barbara E. Transforming Images:  How Photography Complicates the Picture. Ithaca, NY: Cornell University Press, 2000.

Shawcross, Nancy M. Roland Barthes on Photography: The Critical Tradition in Perspective. Gainesville, FL: University Press of Florida, 1997.

Shearer, Benjamin F. and Barbara S. Shearer, eds. Notable Women in the Physical Sciences: A Biographical Dictionary. Westport, CT: Greenwood Press, 1997.

Skidmore, Colleen. “”All That Is Interesting in the Canadas”: William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies 32, no. 4 (1998): 69+.

Skidmore, Colleen Marie.  Women in Photography at the Notman Studio,Montreal, 1856-1881. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of PhilosophyDepartment of Sociology Department of Modern Languages and Cultural Studies Edmonton, Alberta Fa11 1999.   http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf

Smith, Donald B. Calgary’s Grand Story:  The Making of a Prairie Metropolis from the Viewpoint of Two Heritage Buildings. Calgary, Alta.: University of Calgary Press, 2005.

Soutter, Lucy. “The Photographic Idea: Reconsidering Conceptual Photography.” Afterimage 26, no. 5 (1999): 8+. http://www.questia.com/PM.qst?a=o&d=5001249099.

Sterling, Keir B., Richard P. Harmond, George A. Cevasco, and Lorne F. Hammond, eds. Biographical Dictionary of American and Canadian Naturalists and Environmentalists. Westport, CT: Greenwood Press, 1997.

Sternberger, Paul Spencer. The Legitimization of Photography as Art in America, 1880-1900 The Legitimization of Photography as Art in America, 1880-1900. Albuquerque, NM: University of New Mexico Press, 2001.

Tomas, David. Transcultural Space and Transcultural Beings. Boulder, CO: Westview Press, 1996.

Triggs, Stanley, and Russell Harper. Portrait of a Period.  A Collection of Notman photographs 1856-to 1915.  Introduction bv Edagar A. Collard. Montreal: McGill University Presss, i967.

Triggs, Stanley G., William Notman: The Stamp of a Studio, Toronto, Art Gallery of Ontario and Coach House Press, 1985.

Triggs, Stanley G, Gordon Dodds and  Roger Hall.  The World of William Notman, Toronto, McClelland and Stewart, 1992.

Triggs, Stanley G. (Text from the publication “William Notman’s Studio. The Canadian Picture,” McCord Museum, 1992)

Triggs, Stanley, Brian Young, Conrad Graham, and Gilles Lauzon. Victoria Bridge. The Vital Link. Exhibition catalogue. Montreal: McCord Museum/McGill-Queen’s University Press, 1992.

Triggs, Stanley. The Composite Photographs of William Notman. Montreal: McCord Museum of Canadian History, 1993.

Trudel, Jean, « Une élite et son musée ». Cap aux Diamants, no 25, printemps 1991.

Victoria Bridge – The Vital Link. Montreal: McCord Museum of Canadian History, 1992.

Williams, Carol J. Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest. New York: Oxford University Press, 2003.

Wilson, Edward L., editor, Philadelphia Photographer, Philadelphia, Benerman & Wilson Publishers, 1866.

Wright, Terence. The Photography Handbook. London: Routledge, 1999.

Thank you very much to Professor Matt Price of the University of Toronto’s History Department for suggesting: Michel Frizot’s, A New History of Photography and Mary Warner Marien’s, Photography: a Cultural History as well as several online bibliographical sources.

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